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History of Science and Engineering

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MUSIC AS A «TRANSCULTURAL TEXT» AND SEMANTICS CODE OF THE CIRCASSIANS (ADYGHE) MUSICAL PICTURE OF THE WORLD
A.V. Gucheva

The article deals with the problem of the unity of music and myth. An attempt was made to trace the features of mythological consciousness through the prism of the archaic music of the Circassians (Adyghe) in the song of calling rain. The musical and poetic texts of the song are analyzed at the semiotic, informational and communicative levels, which made it possible to identify their ontological and universal semantic roots through the actualization of the song as a verbal language, sociocultural code and transcultural text of the musical picture of the world. Under the «transcultural text» we will mean the unity of archaic music and the poetic text of the preserved samples of the song tradition, their discursive integrity with its complex semantic and symbolic structure, which contributes to the generation of many meanings and images. In the course of the analysis, we were able to identify several stable semantic-symbolic codes of tradition, among which stands out – multiple repetition-appeal to the deity. Such a code is not unique, but it acts as a clichéd structural and semantic element of the song and creates a general background for the musical picture of the world, revealing and largely clarifying the visual and auditory meaning, structure and composition of the poetic and musical text of the myth. On the other hand, this kind of encoding and deciphering of an archaic text is designed to recreate the grandiose sound performance of the myth.
Keywords: transcultural text, code, repetition-appeal, semantic, rain calling songs, fetish rain doll, Circassians (Adyghe).


DOI: 10.25791/intstg.4.2022.1351

Pp. 37-43.

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