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History of Science and Engineering

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STYLISTIC FEATURES OF CHINESE WALL PAINTING
Tang Yi

The history of art is not only the history of technical development, but also a rapid process of continuous development and improvement of concepts that reflect the intellect and aspirations of people. The development of the art of wall painting is inseparable from the development of material culture, support and dissemination by the ruling circles. There will always be an inextricable interactive connection between the art of wall painting and the era in which it exists. And it does not matter whether the epoch infl uences the stylistic features of art, or whether the avant-garde spirit of stylistic features carries the waves of the epoch with it, we can say that art reflects the peculiarities of the epoch, since the epoch generates art peculiar to it. With this approach, the epoch is not just a period of time covering such diverse factors as spiritual state, socio-economic formation, scientific and technological level, geographical and ecological environment, etc. The history of the development of Chinese civilization from its inception to the present day has 5,000 years. In this story, the traditional Chinese national wall painting is an extremely valuable and noteworthy cultural form in its study, having pronounced temporal characteristics and national characteristics, which in the process of their development and taking into account the differences in the stages of social formation had stylistic differences. Typologically, on the long millennial path of its development, such stages can be distinguished as: the Stone Age period, the Pre-Qing epoch, the Han Dynasty, the period of the six dynasties, the Tang, Sung, Yuan, Ming and Qing dynasties.
Keywords: traditional Chinese art, monumental art, stylistic features, wall painting, Artistic features, Aesthetics of the epoch, Influence, 20th century, national aesthetics.


DOI: 10.25791/intstg.12.2021.1330

Pp. 45-53.

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